Lyrics of  Behka Main Behka

Lyrics of  Guzarish

Lyrics of Kaise Mujhe Tum Mil Gayi

Lyrics of  Latoo Mein Latoo Us Pe Latoo

Source – Ghajini Song Lyrics

MOVIE NAME: Ghajini (2008) ( BOLLYWOOD MOVIE Download)
RELEASE DATE :25 December 2008
Genre : Comedy
Cast : Aamir Khan, Jiah Khan Pradeep Rawat, Asin Thottumkal, Khalid Siddique,
Story Writer: AR Murugadoss
Sound Designer: Resul Pookutty
Director: AR Murugadoss
Producer: Allu Arvind, Madhu Varma
Music Director: A. R. Rahman
Playback Singer: Javed Ali, Shreya Ghosal, Suzanne D’Mello, Sonu Nigam, Benny Dayal, Pravin Mani, Karthik
Lyricist: Prasoon Joshi
Music Company: T-Series

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Lyrics of Ghajini

CLICK THE FOLLOWING LINKS TO DOWNLOAD GHAJINI SONGS MP3
(Note: To download Right-click on song & select “Save target as..”)
Guzarish
Aye Bachchoo
Kaise Mujhe
Behka
Lattoo Lattoo
Kaise Mujhe (Instrumental)

Lyrics of Ghajini

MUSIC

Ever since the music release of Roja, the common saying for almost a decade and a half has been – ‘Rahman’s music takes time to grow’. That has indeed been the case for some of his best work ever which has gone on to be huge commercial success. Now imagine his music appealing to your ears in the very first go itself! The results are meant to be fantabulous and immediately
acceptable, something which happens in case of Ghajini.

A.R. Rahman truly creates a soundtrack which makes an instant impact and yet retains the classy touch which is expected from him, especially noticeable in songs like ‘Guzarish’ and ‘Kaise Mujhe’. Both being complex compositions due to the kind of variation that Rahman brings in spinning a melodic tale, ‘Guzarish’ and ‘Kaise Mujhe’ work and how! While ‘Guzarish’ is sweet-n-saccharine with Bollywood romance at its best, ‘Kaise Mujhe’ reminds of the kind of work that Ismail Darbar has been doing ever since his Hum Dil De Chuke Sanam days. Slow and pensive, it has a classy feel to it and sound even better in its ‘instrumental’ version. Someone bring on that ‘Karaoke’ please!

Only Rahman could have made something like this possible and if you have been a fan of ‘Latka Dikha Diya Tumne’ (Hindustani), then be sure that ‘Aye Bachchu’ would get the house on fire, which is a foot tapping track that is way beyond the likes of

‘Shano Shano’ (Yuuvraaj). It is a party track which has an out and out Western rhythm to it and should be quite some eye candy. Ditto for ‘Latoo’ which is heavy on orchestra, rightly so since the genre of the number requires that to be the case.

The only number which is ‘un-Rahmanish’ in appeal and appears to be coming from the house of Pritam or Vishal-Shekhar, it is fast paced and boasts of an instant recollection quotient.

‘Behka’ could well be the ‘Main Aisa Kyon Hoon’ (Lakshya) moment for Aamir Khan in the way it is has been composed. The most unique composition of the album and something which Rahman has attempted after a long time. ‘Behka’ has an international sound in the way it is paced and arranged. Especially watch out for the ‘antara’ portion and you know for yourself that what sets it apart from any other Rahman song you would have heard in the recent times.

LYRICS

With Prasoon Joshi around, lyrics are bound to be not just impressive but even way different from what one hears in a regular

Bollywood album. Whether it is the poetic feel of ‘Guzarish’ or the intoxicated feel of ‘Behka’, Prasoon is in full form here. Of course when it comes to bringing on some fun on the house, ‘Aye Bachchu’ and ‘Latoo’ win hands down.

VOCALS

Javed Ali makes best use of the opportunity that he gets with ‘Guzarish’. First ‘Jashn-E-Bahaaran’ and now ‘Guzarish’, the young man is certainly looking up in his career. Another new singer, Benny Dayal, who made a worthy debut with ‘Tu Meri Dost

Hain’ (Yuuvvraaj), is good once again in ‘Kaise Mujhe’. What comes across as a pleasant surprise is to see Shreya Ghoshal letting her hair down for ‘Latoo’, a kind of track which, on any other day would have fell in Sunidhi Chauhan’s lap. Suzanne, who continues to make an impression with every opportunity that comes to her, knows that ‘Aye Bachchu’ is the number for the dance floor and she gets the right attitude in place to justify her presence in the song as the chosen one.

OVERALL

Ghajini is what one calls as a chartbuster album in the offering. Clearly boasting of Rahman’s best soundtrack of the year

(yes, it is better than Jaane Tu Ya Jaane Naa, Jodhaa Akbar, Yuvvraaj and Ada), Ghajini in fact, sees Rahman-Aamir collaboration being successful yet again after some of their best work together in Rang De Basanti, Lagaan: Once Upon A Time

In India and Rangeela. The music of Ghajini is all set to make waves way into 2009 after the Christmas release of the film.
When ‘best of the best’ list would be compiled at the year end, it would be hard to ignore Ghajini.

Lyrics of Ghajini
Download MP3 Songs of Ghajini

GHAJINI, the Tamil version, has been a massive hit and so was its dubbed Telugu version. Will the Hindi adaptation live up to the humungous expectations? The hype is unmatched and you expect no less than a present-day masterpiece.

Now the good news: GHAJINI demonstrates how strong film-making can enhance and elevate an already solid concept.

GHAJINI is a revenge saga, one ingredient that has been the staple diet of Hindi films since time immemorial. It is a powerful film. It has the power to sweep you off your feet from the word ‘go’. It has a riveting story, which has been told with flourish by director A.R. Murugadoss. And, of course, it has a knockout performance by Aamir Khan. If at all there’s a shred of doubt whether Aamir is The Best in the business, all you’ve got to do is check out GHAJINI.

Flaws any? Running time [almost 3 hours]? Not at all! There’s so much happening in every scene and the screenplay is so gripping that you don’t feel the need to look at the auditorium ceiling or at your watch at brief intervals. You aren’t restless. As moviegoers, we’ve watched countless good versus evil fares over the years and although GHAJINI belongs to the same family, not once does it take the beaten track. The story has been told differently and most importantly, the story

offers so many twists-n-turns that you just can’t guess what would unfold next.

Is it violent? It is, at times, but the violence here is justified. In fact, every time the protagonist bashes up the evil-doers, you clap and root for him. The climax is jaw-dropping — dissimilar from the original, but it’s an out of the world experience nonetheless.

To sum up, GHAJINI is commercial Hindi cinema at its best. The film has ‘Hit’ written all over it. Let me put it this way:
Cancel whatever you’re doing today and go watch GHAJINI instead.

Aamir Khan is suffering from acute short-term memory loss set off by the violent murder of his girlfriend Asin. He’s got to work around this handicap, but with methodical and meticulous determination. Aamir etches a path of clues that lead him on his road.

To aid him in his quest, he carries around a sheaf of Polaroids and when he is really sure of a piece of information, he has it tattooed on his body, which stands in for the damaged part of his mind. His indelibly marked torso is the repository of his grief, his rage and his reason to go on living.

Any more revelation would do gross injustice to the film and to its viewer.

First things first! GHAJINI is not MEMENTO. There’re minor similarities, but GHAJINI takes a completely different route to tell its story. Director A.R. Murugadoss tells this one differently. It starts off with what happens in the past, comes to the present-day, goes back in time again and returns to the contemporary again. This is a breathless, exciting story, heart-breaking and exhilarating at the same time.

Hindi movies have often depicted people suffering from amnesia/memory loss, but GHAJINI is poles apart because the protagonist recalls events only for 15 minutes. The story is its USP, without a doubt. But what adds sheen and glory to the story is Aamir’s portrayal of a man suffering from short-term memory loss. Aamir hardly speaks. In fact, the leading lady [Asin] speaks more than Aamir in the film. But Aamir speaks volumes with his eyes, he conveys whatever has to be conveyed through his body language, he says it all with his facial expressions and that only makes GHAJINI a memorable,
never-seen-before experience.

Director A.R. Murugadoss deserves brownie points for not just coming up with an interesting story, but also presenting it [refreshingly] differently. The storyteller balances the light moments and the ones demanding intensity with expertise.

There’s dum in every sequence. Even if the director has to depict violence, he doesn’t resort to blood-n-gore or knives-swords-pistols for effect.

A.R. Rahman’s music is top notch. At least three numbers have the unmistakable stamp of a genius — ‘Guzarish’, ‘Behka’ and ‘Kaise Mujhe’. Ravi Chandran’s cinematography is stunning. The film bears a stylish look all through. The action sequences are brilliantly executed. The Hindi moviegoers haven’t seen such scenes ever.

Aamir delivers his career-best performance. In the first place, it requires courage and maturity to name the film after the villain. Knowing how egoistic our stars are, something like this is next to impossible in Hindi films.
A lot has been said and written about the GHAJINI look — Aamir’s hairstyle and his dream physique. It’s awe-inspiring and if more and more people adopt the ‘Aamir look’ or hit the gym, it would be courtesy the actor.
As far as his acting is concerned, he’s natural as the tycoon, but like a wounded, ferocious tiger when he goes on an avenging spree.
Without doubt, it’s a concentrated, layered performance. He acts with his entire being. His body movement, the details of his performance, everything rings true. He is both vulnerable and hard. The pain in his face when he can’t remember, is palpable.

It’s not only the plot that carries GHAJINI. It’s also the mood and the expression on Aamir’s face that makes GHAJINI a treat.

Asin is fabulous. To share the screen space with an actor of the stature of Aamir Khan and yet remain in your memory even after the show has ended is no cakewalk. She looks fresh and photogenic and acts her part brilliantly. Pradeep Rawat, the villain, is first-rate. Jiah Khan impresses, especially in the sequence when Aamir follows her to a shopping mall.

On the whole, GHAJINI is a winner all the way. The film will set new records and has the merits to emerge one of the biggest Hits of all times. The weekend business should be historic, the Week 1 business should be unparalleled, the lifetime gross should be amongst the biggest of all times. In short, GHAJINI has ‘Blockbuster’ written all over it.

Lyrics of Ghajini
Download MP3 Songs of Ghajini